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The Art of Not Being Governed: An Anarchist History of Upland
Southeast Asia.
By James C. Scott. 2009. Yale University Press.
464 pages. ISBN: 978-0300152289 (hard cover).
Reviewed by
Arle Lommel, Indiana University
The cover of The Art of Not Being Governed emphasizes the word Not,
setting it in a different color than the rest of the title. This
choice helps set the frame for James C. Scott's fascinating
examination of the ways in which the various peoples of upland
Southeast Asia (a region of disconnected mountainous areas he calls
"Zomia") have actively resisted the encroachment of states and state
power and the development of state-like structures in their own social
groups. The people he considers are not merely ungoverned, they are
actively NOT governed. While the title proclaims the book "an
anarchist history of upland Southeast Asia," this is not a tract on
the Western concept of political anarchy, but rather a discovery of
the ways in which non-state spaces actively resist state power, how
states have depended on non-state spaces, and the ways in which states
and non-states mutually construct each other.
In some sense Scott's work can be seen as a book-length exegesis on
Edmund Leach's Political Systems of Highland Burma (although it is
certainly more than that and adds considerable scholarly information
produced since Leach's time) and readers of Leach will find that Scott
draws out many themes implicit in Leach's work and sets them in
clearer light. Even if Scott claims that his insights are not
particularly original, this is one work in which the juxtaposition of
materials and encyclopedic breadth, coupled with a close attention to
details of history, technology, and geography create something that
goes beyond any of its sources. Scott provides us with a systematic
framework for considering the ways in which people deploy terrain,
farming techniques, religion, narrative, and economics itic between
the state and spaces outside the realm of the state.
The historic padi states (and indeed many of the current political
states) of Southeast Asia do not come off as terribly attractive in
Scott's work. They are founded on slave and corve labor, on
large-scale war and taking entire populations captive, and on onerous
taxes. They are places of disease and backbreaking labor, of
conformity and orthodoxy, of constant risk and occasional reward. By
contrast, Scott depicts highland societies that provide greater reward
to the individual, freedom from grand corve projects, and healthier
environments, where people are less likely to be rounded up in slave
drives or otherwise co-opted into oppressive projects.
His examination focuses in part on the importance of swiddening and of
crop choices in making spaces not worth the while for states to engage
with while simultaneously enabling people to avoid the appropriation
of their labor. For example, root crops can be left in the ground
until needed and are easy to conceal from armies, thus making them
ideal for nomadic people intent on avoiding military expeditions; so,
hill people tend to cultivate root crops and trade for rice. Much of
Scott's work relies on the concept of "friction," ways in which
activities are made more or less difficult. Thus "friction of terrain"
refers to the ways in which mountainous areas slow down transit and
limit the ability of states to project power uphill into surrounding
areas. He provides a thorough explanation of the ways in which various
types of friction come together to limit the effective size of state
power (rather than the nominal size of claimed sovereignty, which was
often much grander than a state's real ability to project power).
Traditionally hills and mountains have provided the greatest barriers
and upland areas accordingly have become zones of resistance to state
power.
Scott, however, is careful to note that in South America the great
states formed in the mountains because that was where arable land was
available and hence any sort of simplistic geographical determinism
must be avoided. Indeed, while his work might at first glance appear
to espouse a sort of geographical determinism, what he is in fact
arguing is that people actively utilize geography to serve their ends
and that some sorts of terrain are more suitable than others for
certain uses. As a result the work is one that recognizes and
celebrates human agency and the ability of people to adapt and thrive
in various locations.
He also makes a fundamental argument that we must reject notions of
cultural evolution that see civilization as arising from a directional
aggregation of people and power into larger units. When we do so, he
maintains, we are buying into the mythology of civilization. In fact,
people move back and forth between civilization and "barbarism" all
the time in order to suit their particular needs.
Many "barbarians" in fact have readily moved back and forth between
the categories as needed for centuries, sometimes appearing as padi
cultivators and sometimes as swiddeners. Most of the "tribes" (a
political concept that facilitates exerting control over groups of
people) are genetically similar to their lowland neighbors because
they have absorbed so many refugees from the states over the
centuries.
His examination of the role of heterodox religious figures from the
non-state mountains is particularly interesting. There are many
parallels well outside of his chosen area, and he explores
millenarianism in ways that resonate well with historical examination
of frontier religion in the Americas and even in examining more recent
events such as the Bureau of Alcohol, Tobacco, and Firearms standoff
with the followers of David Koresh in Waco, Texas.
In his exploration, millenarianism emerges as yet another strategy
for resisting state governance: the padi states deployed
hierarchical religions that reinforced notions of intrinsic order
and stability, while mountain societies tended to emphasize
charismatic religious movements that prophesied the overturning of
the present order. This discussion is among the most fascinating in
the book and comes the closest to letting readers get a sense of the
role of specific individuals in this framework.
In keeping with this last point, The Art of Not Being Governed is
not primarily a folkloristic text.
There is no close analysis of individual texts, no in-depth
examination of traditional beliefs or customs, and no real
ethnographic description of any single group. It is more clearly in
the fields of agrarian studies, political science, and sociology. That
being said, however, the book raises serious and disconcerting
questions about the scholarly enterprise of folklore studies. Although
some folklorists would subscribe to a position that says that we are
to describe culture, more often than not we become either covert or
overt activists on behalf of "underprivileged" or "underserved"
populations. But if we ask ourselves in what sense these terms are
applied, it is clear that they come from a perspective in which the
state is viewed as the proper frame of reference and activity.
Even if we only describe culture, we are describing it from a specific
standpoint in which ethnography (the "writing" of people) is
normative. We often engage in activities like recording/codifying
mythology and tales into written text and encourage our "native
informants" to do likewise. In so doing we make texts appropriable to
scholars and to communities, but at the same time we record particular
versions and fix those texts in ways that represent particular
interests.
Scott details ways in which non-literacy, however, is an active
strategy to avoid the formation of state-like structures and control
by states. Rather than seeing people without writing as pre-literate
on an evolutionary scale, he encourages us to see people as
deliberately placing themselves outside the scope of literacy and
argues that this choice gives people considerable freedom to modify
their tales as needed to support the influx of new people, movement
to new areas of residence, or changing alliances.
In this environment, the preservationist instinct of folklorists may
actually work to undermine the very qualities we aspire to preserve
from the ravages of time, qualities that were designed to allow memory
and customs to be obliterated and thus to serve a malleable vision of
history.
Similarly, when we encourage people to make use of state resources
or to accept state funds for cultural activities, we reinforce the
notion that the people we are serving are in fact in need of service
from the state. Given that many of these groups have had a string of
bad experiences with the state and its agents, we should not be
surprised that there is often resistance (either open or hidden) to
engagement with the state, and possibly even suspicion concerning
the motivation of scholars in documenting their culture.
While we may mean well, many stateless people have learned to beware
the good intentions of outsiders. We may not say we want to "civilize"
people, yet historically our actions have often gone hand in glove
with the civilizers (think of the role of scholars in Whisnant's All
That Is Native and Fine in remaking Appalachian hill culture) and
those who wish to extend state power into "backwards" or lawless
areas.
The Art of Not Being Governed is very clear and cogent, but does tend
to be a bit repetitive at times because some concepts are introduced
repeatedly in various chapters. Whether this repetition is a weakness
or not, however, depends on how the volume is read: the individual
chapters can easily stand on their own for use in instruction where
students might be asked to read part of the book and readers of the
entire book may simply skip some short sections when they realize that
they cover previously addressed topics. At the risk of being too
picayune, I should also note that I suspect that the order of the
chapters may have been shuffled late in the composition process
without necessary editorial oversight: in a number of cases terms are
introduced early on in the book but defined much later than their
first occurrence. For example, the term "acephalous" ("headless") is
used as a key term throughout much of the book but it is not fully
defined until page 208. While this example is not terribly disruptive
(a scholarly reader would either know the term or quickly discover the
meaning), similar small editorial issues do make the text seem a
little disjointed at times. I do not fault the author for this problem
(which is really quite minor in any event) since the editors of a
volume such as this one do need to be careful when performing
large-scale editing to make sure the ramifications of their actions
are anticipated.
The Art of Not Being Governed deserves to become a central text for
folklorists looking at the relationship of the state to "marginalized"
people. It provides a theoretical basis for examining the agency of
such people, rather than seeing them as the remnants of primitive
populations. It also raises questions that we should address, even if
the answers Scott suggests may be uncomfortable for our activist
impulse. While Scott did not set out to engage the issue of the
scholar's role in working with stateless (or state-resisting) peoples,
his framework is broad enough to suggest fruitful ways of considering
not only our objects of study but ourselves as well. ---------
Read this review on-line at:
http://www.indiana.edu/~jofr/review.php?id=1192
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